Wind Conducting

11: Building a Collaborative Creative Team – Tips for Working with Living Composers with Rachel Howley

Show Notes: ๐—ช๐—ต๐—ฎ๐˜ ๐—ถ๐—ณ ๐—ผ๐—ฟ๐—ฐ๐—ต๐—ฒ๐˜€๐˜๐—ฟ๐—ฎ๐˜€ ๐—ถ๐—ป ๐—•๐—ฒ๐—ฒ๐˜๐—ต๐—ผ๐˜ƒ๐—ฒ๐—ป’๐˜€ ๐˜๐—ถ๐—บ๐—ฒ ๐˜„๐—ฒ๐—ฟ๐—ฒ๐—ป’๐˜ ๐—ถ๐—ป๐˜๐—ฒ๐—ฟ๐—ฒ๐˜€๐˜๐—ฒ๐—ฑ ๐—ถ๐—ป ๐—ฝ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ถ๐—ป๐—ด ๐Ÿ…ฝ๐Ÿ…ด๐Ÿ†† ๐Ÿ…ผ๐Ÿ†„๐Ÿ†‚๐Ÿ…ธ๐Ÿ…ฒ? ย  One of the great advantages of performing works by living composers is that we can ask them questions. A conductorโ€™s job is largely deciphering the composersโ€™ intentions, translating the knowledge into our gestures, and conveying to the musicians to realize…

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7: Wave Your Arms in the Air Like You Just Don’t Care with Jennifer Jolley

Show Notes: ๐—ช๐—ต๐—ฒ๐—ป ๐˜„๐—ฎ๐˜€ ๐˜๐—ต๐—ฒ ๐—ณ๐—ถ๐—ฟ๐˜€๐˜ ๐˜๐—ถ๐—บ๐—ฒ ๐˜†๐—ผ๐˜‚๐—ฟ ๐—ถ๐—ป๐—ป๐—ฒ๐—ฟ ๐˜ƒ๐—ผ๐—ถ๐—ฐ๐—ฒ ๐˜๐—ผ๐—น๐—ฑ ๐˜†๐—ผ๐˜‚ ๐˜๐—ต๐—ฎ๐˜ ๐˜†๐—ผ๐˜‚ ๐—บ๐—ถ๐—ด๐—ต๐˜ ๐˜„๐—ฎ๐—ป๐˜ ๐˜๐—ผ ๐—ฏ๐—ฒ ๐—ฎ ๐—ฐ๐—ผ๐—ป๐—ฑ๐˜‚๐—ฐ๐˜๐—ผ๐—ฟ? โ  You might have shushed it the first time, but did the voice keep coming back, and tell you that you could possibly be a great conductor? If you are a musician thinking about potentially…

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